Roses Painting

Painting  the color Roses water

What should I draw and practice is very important. The control and direction of the applied load to Phu it. Training is not just a day or two. It takes a long time and patience.

Especially watercolor Trained to be a static.

1. After waiting for the paper to dry. The body is not. The have a glass of water. I will twist and wind. The vertical axis. The horizontal axis is straight. If the glass is distorted mind. Each position of the rose flower and leaves. Just figure. Emphasized that the draft because many people often forget to write down the details in it. If I do not specialize. If you are not an expert. It would not be out of shape.

The main draw to the way it was. Understanding the. Overview now nearing completion. Then entertained by the possibility. It can be seen that the form of the leaves, where does that leave the where. Let us look at the source of which is the stem. Leaves it at that. Overlap each other, they do not look out. Flowers, too, I did not draw all the petals. But the petals are featured and listed. Some have a little left to cut.

2. The finished and painted. Before actually writing on paper before painting.

3. I started painting red flowers before. The other one is down the first time. I used the wet on wet technique. By the red first. Followed by dark red. Tap the green and slightly yellow. To create a visual harmony. The red, green surroundings near the same as when I went to do a green leaf. I added a little color to it.

4. And do not forget to turn the light as ever.

The first image is a prototype.

The second squint to see this. (It is to blur the vision in front of it that) is the weight of each zone can be seen more easily.

The third image is seen as portraits. Make it a habit to have it.

5. Painting flowers on it.

6. I painted pink flower water to drain, then pink, then yellow, then green. Then add the weight of a darker pink color to add dimension.

Layer until you are satisfied.

7. Draw leaves and branches. As mentioned above, it is clear and blur. We took a look at it. I need to upgrade leaves behind a lighter tone to the remote. A complete overview and then I added to it.

8. Arrive section To the glass. Determined to leave the light on. Mixed purple to gray but I added a bit more to make the image look more vivid. Painted to match the color of the branches. Be seen directly in the water. Color is thin and not very clear.

9. Add shiny leaves that are placed on the floor. Overview again. If you are already finished.

I emphasize that the "overall look" very often because we decided not to paint any part of the space of only a single image. Some people do not like to paint the sky and I was not going to sit in the sky. I understand that. I really could not. But if we let go of this possibility. To complete the rest of the image. Overview again. We may see that. Clear that we are not happy. It may be just a small part of the picture only. May see another solution. Or if it was just a little mistake. I may not be correct.

I've taken the steps to make. It's quite a good step. I draw pictures and photography alone. I've been painting watercolors know that it takes a few strokes to paint strokes can not wait. Some may not understand. I would like to try it before.

Frequently Asked Questions on how to mix colors. I do not like it. That is purely my experience

This section will help to some degree as it is. We have all the colors. May be divided into four zones, on the cold side (horizontal).

Tropical color in the left (vertical) to capture the color combinations for the first one in my palette before. Then paint onto the paper. Made until all Fully colors

We will have a color table that shows the color one piece now, we will find that the colors that we do not think these colors mixed together, then it will be a lot happening. Now when we run it. The color combination is not obstructed. I turned around to see it. Not only as a guide. I actually have to use finesse. Water color sensitive. Mix a bit darker. Do so one day we will not need to use.  at the color table anymore.

Writing for fun and pleasure

acrylic painting, trees and streams

The focus of this work is to train the tree phase separation. And the lead author.

View from the master

1. I chose to color the image with the middle green Pthalo green + Burnt sienna +.

Yellow ochre + white paint to the second round, just waiting to be written from the ground is dry or white it does not matter to me. Depending on the color.

I do also think that sketch.

2. I divided into four parts, the first (red) and look something this group of plants. Divided into groups.

Without the need to pay attention to detail. This is important in the body is me. Habitual practice. To make work easier. Followed by sections on its completion. Attention to the body, it will be beautiful. Especially the yellow line. We will see a stream of odd here. Then add the second round. I had to see more.

It depends on if I miss the colors. It's a little detail. Of the vessels with a colored thread. The next time down the line we'll see.

3. Ultramarine + sky color is white to light reflected in the water.

4. Group plants with the remote start. I split from master to see beyond the prototype stage. After mixing, then green, then put it down to the very white (I accidentally mixed primer. At first, a lot. I left it green enough for us to remove the paint and mix in the other), then we do the blue sky and spread. Some like that. This is a tree that has covered a good bit of color.

5. Next, the group approached the tree. A darker green. I still have some mixed Ultramarine Blue atmosphere.

6. Next, the intensity up. I used the dark green in the next group.

7. I made ​​the front group. See the original post a lot. This color came out into the water with the shadow of it. It is a dark green.

8. Add the weight of the darker green. Into the group in front of me. By the same green, blue and brown mixed with Yellow ochre + Burnt sienna foundation in the ground that was not enough to finish the first round clean it. The color and the weight of the ready to modify and more.

9. Detailed do it. Trees are not remote to do even more because I'm quite satisfied. I started down the details in the next group. Using the same green color. I came over to cover both light and dark.

Control well without trying to separate us from the initial phase as well.

10. Groups to use the original green tones. However, we add the light. The combination of green and white. If you see a white powder to add a touch of yellow. To remind us of the reality principle. When the object is close to it, it will clear up bit by bit.

11. Next, mix the green light. To be clear. I was a small sign over to me several times during the soft tones.

Contrast to the overlap of the leaves.

12. I painted the front cover again. To increase the brightness of the green. And increase the intensity of the deep.

13. The Yellow ochre + white light touched the ground, the left and right. This is the only way. Not all the same. We can see that the first floor will be covered with green tone color image is outstanding.

14. The color of the water Water is mirror. But a mirror dimly. The first thing we see is clearly reflected from the sky.

Observe and follow the light that is reflected. Water is a medium-dark green ground to the right. It is a reflection of the ground down the left side is the slope of the mound that emerged out of the water. We use a mixture of brown Yellow ochre dithered to fade and water. Shallow water, there would seem to be. The ground up. Note that it does not look like the right side.

15. Detailed final again. Look at it. The trunk of the tree. At this point, ask your friends or people sitting next to see where it strange. We take a look at it from the.

Do not forget to dim the light to make viewing easier.

The first image is a prototype.

The second squint to see this.

The third will be the weight easier.

The main conclusion is that the term you want to see the picture. The colors that we can use in the mixture or blend. As far as I became more and more mixed with these colors.

Paint

Painting color water lotus

I draw a lotus. The lobe complex. The body is important. But it does not mean that everything must be the same. As usual overview. Where strange eccentric lobe. We can solve by adding or reducing some of the petals. Natural shape of the solution is quite good.

1. After completing the paper.

I started sketching. From the same perspective as before. The position of each object (red) in which I use mostly oval. When overall. The core of the lotus (blue) because it is tilted. Time to put the details in the next step will be a mistake to draw a lotus love.

2. The petals are divided by the model (yellow) after this process, then we can separate the cloves easier.

The finished and painted it. The wood color is not very dirty.

I want to tell you that this is the new color. Unlike the prototype. This is intended to be viewed lightly. The intensity of the image was to lose weight ever.

3. Beginning of the wet over wet techniques. I will set the mood of the color of light (violet, indigo, blue, green, yellow, orange, red rainbow that i) the number of large drainage by Phu. To the entire sheet. Mixed purple, blue, green, yellow, orange, pink + drain into the picture. Allowing four runs.

The paint is faded and only me.

If you are too heavy handed. The dark color is a color of real objects is opaque to me.

4. The first step is to paint it.

Note that the range of flowers, because I want some bright colors. Thus the only thin. Wait for it all to dry.

Wet on wet technique. Difficult to control

Technique is to wet it down slightly. So we have more time to decide. Canson paper, but I was working with a dry fast as well.

I also noticed that people who train new people. As I think of another is not a plan before you begin. This is a good opportunity.

That consciousness and meditation. Watercolor error and error free.

5. The details behind it. Purple, blue water use. Inhibition with orange thread. This technique is used on dry, wet it. This is a little more brown.

6. The Detailed on the lotus.

Near completion. Take the distortion on it.

7. At this overview will be added to the front where the rear right thing to do.

Completed as a way to bring it to me. As always, how much more will it be like a lotus before. Then the background color will be the one without a color that I can not do no wrong to me.

I do not think the last one to finish drawing. This may be a dozen or more times to draw 3-4. It was a pleasure. And that's not uncommon.

Acrylic color

  Acrylic painting  .. ship

This picture is very detailed. However, the term is still in the picture is what we need to focus. The ship was featured. Should pay attention to the particular I look forward to attending the bow. We'll make it short and to the point. The distance from the ship. To the horizon. These are indicated in the far distance.

1. Priming and painting with colors as blue as the one you wait for it to dry.

We are so heaven Gradient Light weight - to go from the foundation. Unlike the past, the color palette is simple.

The color is in the palette of the first to do this.

- Blue color on the first floor. If it is mixed. Just close enough.

- Mix blue with darker blue and purple.

After the first of the blue. Painted in dark tones to the mix at the top of the image. From left to right along. I used blue paint to the next. I use a big brush. Smooth boundaries between dark and light tones. Have to do with speed. Before the paint is dry. Skies will be combined with the dimension soft - old.

2. Wait for it to dry and then I take a picture. Time to create vertical lines on the boat. The primary landscape. Can not be accounted for too. Attention to the particular This is pretty or not pretty. The draft is a starting point.

3. Then add a line to the northwest in corners without having to do the various curves. Observed degrees of tilt to it. This will affect the view of the ship.

4. Detailed and complete. Body-colored wood. I cut it with acrylic paint. Can be seen clearly.

This is the way the boat is a perspective and reflection.

5. The first layer is made ​​of a white cloud, blue, purple. For cloud remote sensing. Mix white clouds and more for the second.

The sky below Put a little white + orange is the color of sun light.

6. The rear part of the island. The Primers used mix purple and blue paint to the front of the island. The intensity of the purple blue + Brown Act. Purple and blue, but faded to water weight weird Since we base image with blue tones. To cover the overall atmosphere of the picture. The details here. We just put it down to a faint smear adequacy. Finally the green parts of plants. First, think about the lighting. Look out exactly where it is dark, then add the texture in the background.

The details before we have a shadow.

7. Ground water is part of the skyline. The pale blue purple water a dark shadow chasing the light. Fill the green sea phthalo green + white.

8. The yellow and orange yellow + white + white. Painted on the front. We may model the direction of the brush off by the waves. It has the appearance of moving water.

9. Details of the ship. The Blue + Brown. At the lowest part of the ship. Red + yellow ochre sugar into the mix to find the soft light - shadow of the ship. This is a complete primer on the primer, if we care very much. The second is to make a detailed finish work faster and more easily. No one wants to do something over and over again in the same (especially me) I will tired and did not want to do it again.

10. The detailed procedure. Looking at the sky, as we do with other elements or not. If you do not have to. Or may have added a few things. Next came the front adds detail to the island. If the color of the sea, or the details are still not satisfied then add to it.

See the colors fade, too, and have not added a profile. This color scheme is different from the original. A little note on the side of the boat, take a hard look at what it is not. In fact, it is the color of the wood. But mixed with the blue sea. It is a reflection of the seawater. Overview again. If satisfied that the work was ended.

Before drawing the picture should include a style that you want. If a realistic It does not require much skill, but the color and structure. If you would like a copy of one of them to learn how to think. But not attached to it.

painting

Introduction to watercolor painting

           Techniques for Beginners. Especially during the early also can not predict the amount of water to make the colors and color combinations are too dark or too light. The water was not very popular with the color white. If we could predict the soft white to color is easier.

Time to mix with water. Weight range. The problem for me. Between a piece of paper through it to try to mix that color as you like. So it works.

Photos taken with the training of the weight range. And clear, making it easier to separate light and shadow. It may be difficult with many petals.

1. Start by sketching. The vertical axis is set up for us to draw because I was slightly tilted. If not set, the more we may be more or less predictable degree. The case here. If a core is not exactly help matters.

2. Following an overview of all flower oval. Followed by two protruding lobes. The stem of the flower (blue).

The flowers range in the (pink).

Half (blue).

After the above steps are then stored in the profile of all flowers.

Do not write at the same time each leaf. I had a chance to miss and often negative. This is just a sketch in my view only. Can be modified in various ways. The training and experimental techniques to the individual.

3. I started to paint. This image will be used on wet and dry floor. Is waiting for the paint to dry before each class. Then a darker color over the top and so on.

The red light is mixed to the first floor.

4. Color added to the next layer. This is the important part. Predict the amount of color and good water.

5. Increase the intensity of the color. To the next layer should be careful not to repeat the colors in the press and rub together to make paper loss until tender.

I mixed green stems. Yellow to light. And a little red.

6. Intensity the next. While this may have some smudges on. If it occurs. I do not have much control over the whole of the work.

Weight gain in dark green with red and green combination. As part of the shadow.

7. Detailed work around it. Each of which may be stratified by weight, more or less, but it was not. That we can communicate to others recognize that we are drawn to.

8. The last image is one that I try to write a detailed view. That is, how other writers.

Have the courage to draw. In particular, the techniques that we see as many books or websites to read this. The only way is all the result of the trial practice and trial and error. We have the experience to solve any problems. Which may be required to complete a hundred image. What does it take to fix the error in the following figure.

shade

                Technique drawing color pencils

Wooden color or crayons to the media that we overlooked.

Everything is practice. Pencil only one block can make incredibly beautiful.

If you are tired of black and white line drawings. To start using the pencil, it's interesting. The advantage is that we can solve the problem easily.

The color is a liquid. Almost all color shades available, we do not need many ingredients. And fall colors.

The downside seems to be. If we write. Over too many colors to catch the fever. Not to the override.

This is a photo taken. The body with a variety of shapes, colors and textures.

Get started now on. I draw on paper than it was smooth and the colors used are Faber castell.

1. The preparation device. I began the first step. Is the position of the first. For example, we will set a much higher. Much wider. So that down time is no more than a page. Or too small. It does not look right. The position of the object, without attention to detail. But the simple shape such as a triangle, square, circle, oval, I used the wooden steps. Purple on the body. If the pencil is dirty. The body is light enough to see.

2. Started putting details in the next step.

3. store Detail again.

4. The pastel colors may not be possible, but we can not all shades mixed with the mixed layer to layer, but it will not be too hectic to try and see if this does it. It depends on the brand of crayons with me. Some brands have a color to it. Some wood is colored water. May not be over the top. I have put a lot of flakes and crushed it. The overall picture painted by me.

5. Down to the overall tone, without much attention to detail.

6. Overall, the second is much more detailed. Color to each object. Many colors to be mixed. The prototype is compared to a passive vent cover to cover. Do not forget to look at the shadow it.

7. Try not to look at the easiest. It's all the weight and dimensions of it with light and shadow.

8. So I finished my foundation. They may feel slow. It has a drainage area. It will soon be over. The colors, liquid colors because we can pick up and use. You do not need to be remixed. Unlike using a pencil to draw a line here. Where the weight is heavy on dark.

Where the light came down softly. If it has not fully hit the desired weight. To change the color to deepen.

9. Detailed. I started from the ground green. Note that only the dark green color only. It also has a red-brown to green will not brake too. It also gives the overall harmonious with.

10. I noticed a white gloss finish flange I used gray purple. The remainder of the shadow of another object will use dark blue + brown. In this image, do not use black. Colours may not be exactly as the original. I use a combination of back and forth. If the object is a warm color, I tend to use the brakes cool colors in the shadows. Likewise, if the object is a cool tone. Put the brakes warm.

Equipment at the facility at any time to color it could be removed but not cleaned. Good for the novice to the weight is not stable. The shadows do not look good. And practice basic colors.

Watercolor

Watercolor landscape painting

In this use only two colors. The purple, blue and yellow ochre.

         Before I start with a sketch.

1.The horizon before (blue) along with the mountain (pink) I do not think the line is wavy or just to keep the details of the border to make it crooked. If it is not crooked little then. But do not make too much bending or flexible nature quite a lot. This is my view.

Position the rocks in front of it (yellow).

Followed by the coconut trees (green).

2.I usually prepare it using colored pencils on the color scheme of red, blue, or maybe there are some pencil if it is close at hand. It will outline the lightest. The dirty work is minimal.

3.Detail before painting. I think it is down to the structure. It can be difficult to resolve.

4.The first painting I intend to cut out the profile of the cloud. Color palettes for a total of three singles. The first is a violet blue. Purple, blue + yellow ochre.

I see that purple and yellow ochre the tone is too little time to mix it Yellow ochre. Put enough water. Not thick, not too thin.

I was just a rough estimate. The amount of color and water. This may be carried over to the desired sheet.

5.The three colors and then. Tilt the board slightly. Deep purple shades of blue from the start of the thread are not smooth. Glass is the color it is responsible for. I do not rub or spread the paper. This will cause a stain. Enough to match the colors to change, then we need to continue to dip and then paint it. If it is clear Phu. Glass of water and wipe it dry. As not to dilute the colors are mixed. What is startling is that the way the colors of the sky.

6.Before acting on the truth. Experiments on a small piece of paper before me. To the course.

7.Wait for a dry sky. The same color. But this time when the water is less than clear. Ran into a mountain range. Will be drawn from the beginning. I do not like the original colors. In the color black. I made ​​a brown tone. This is a matter of faith that we will come out to the media to add or change color. Which stems from the fact that we do often see the work of others much. I like this I do not like the color so much that is not covered. And to exercise control, and understand a lot more water. The use of only two colors.

8.Same color but less than the previous step. The rocks in the front.

Finally, add coconut ended each step should wait for the paint to dry before it.

Besides, we will practice mixing colors. Also speaking to the drawing. This is the most important in painting landscapes. No details can be seen in the picture at all. We use color to create a dimensional weight. And more interesting.