The focus of this work is to train the tree phase separation. And the lead author.
View from the master
1. I chose to color the image with the middle green Pthalo green + Burnt sienna +.
Yellow ochre + white paint to the second round, just waiting to be written from the ground is dry or white it does not matter to me. Depending on the color.
I do also think that sketch.
2. I divided into four parts, the first (red) and look something this group of plants. Divided into groups.
Without the need to pay attention to detail. This is important in the body is me. Habitual practice. To make work easier. Followed by sections on its completion. Attention to the body, it will be beautiful. Especially the yellow line. We will see a stream of odd here. Then add the second round. I had to see more.
It depends on if I miss the colors. It's a little detail. Of the vessels with a colored thread. The next time down the line we'll see.
3. Ultramarine + sky color is white to light reflected in the water.
4. Group plants with the remote start. I split from master to see beyond the prototype stage. After mixing, then green, then put it down to the very white (I accidentally mixed primer. At first, a lot. I left it green enough for us to remove the paint and mix in the other), then we do the blue sky and spread. Some like that. This is a tree that has covered a good bit of color.
5. Next, the group approached the tree. A darker green. I still have some mixed Ultramarine Blue atmosphere.
6. Next, the intensity up. I used the dark green in the next group.
7. I made the front group. See the original post a lot. This color came out into the water with the shadow of it. It is a dark green.
8. Add the weight of the darker green. Into the group in front of me. By the same green, blue and brown mixed with Yellow ochre + Burnt sienna foundation in the ground that was not enough to finish the first round clean it. The color and the weight of the ready to modify and more.
9. Detailed do it. Trees are not remote to do even more because I'm quite satisfied. I started down the details in the next group. Using the same green color. I came over to cover both light and dark.
Control well without trying to separate us from the initial phase as well.
10. Groups to use the original green tones. However, we add the light. The combination of green and white. If you see a white powder to add a touch of yellow. To remind us of the reality principle. When the object is close to it, it will clear up bit by bit.
11. Next, mix the green light. To be clear. I was a small sign over to me several times during the soft tones.
Contrast to the overlap of the leaves.
12. I painted the front cover again. To increase the brightness of the green. And increase the intensity of the deep.
13. The Yellow ochre + white light touched the ground, the left and right. This is the only way. Not all the same. We can see that the first floor will be covered with green tone color image is outstanding.
14. The color of the water Water is mirror. But a mirror dimly. The first thing we see is clearly reflected from the sky.
Observe and follow the light that is reflected. Water is a medium-dark green ground to the right. It is a reflection of the ground down the left side is the slope of the mound that emerged out of the water. We use a mixture of brown Yellow ochre dithered to fade and water. Shallow water, there would seem to be. The ground up. Note that it does not look like the right side.
15. Detailed final again. Look at it. The trunk of the tree. At this point, ask your friends or people sitting next to see where it strange. We take a look at it from the.
Do not forget to dim the light to make viewing easier.
The first image is a prototype.
The second squint to see this.
The third will be the weight easier.
The main conclusion is that the term you want to see the picture. The colors that we can use in the mixture or blend. As far as I became more and more mixed with these colors.
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