Sample
The first paint burnt sienna + yellow ochre + white paint down to the first floor. I mix a lot of waiting for the paint to dry a little smoother as well.
The first coat is dry. Paint the second color. This drain faster.
The spread of light on the left side. On the right. The first layer is dry, use white paint to it. Then spread smooth. This way you do it before the paint is dry. Includes the estimated weight of the prototype was close. Will run faster. Saturates colors more harmonious. Then wait for it to dry. At this stage, I try to end Phu ward. Spread much more easily.
sketch a picture with the layout of the picture first. Approximate position of the flower stalk will not have to remove it. Then gradually add more detail. Together until the end.
Color drawing a line.
Red flower painting. The foundation.
And the use of green + brown. A dark green.
A green + yellow ochre green light. I was younger than the white.
Or green + yellow + white.
Red-brown color. The shadow of the flowers. To darken the shadows. Use red + purple
Zoom leaf coloring and other details on the details later.
Objects are close together on the color. Will reflect the color of the object to each other. The green to red insert.
Overview of the picture. Remaining details. I noticed it gradually slow stalking.
After the painting was finished. To the overview again. It is hard to see. I try to make the color of the leaves fade to the background color. A range of leaves. And I inherited a shadow to the ground.
Completed
Observed when writing a complicated nature. Regardless of the source and the possibility of sounding like a blur, I see a clear pattern. We can customize them. With regard to the origin of the leaves have come out with a folded shaft. This can be referenced by the view of the real as well.
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